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I promise the tables will still be there after you finish reading. We also received a report of a tweed 5G12 Concert. The 5G12 Concert is the earliest version from very late and early so the existence of a tweed example, while extremely rare, is certainly plausible since Fender was making lots of tweed amps during the same time period. Working at FMI - I was able to interview a fellow who wishes to remain anonymous who worked at Fender in in the amp department. Although his job was somewhat limited, his recollections provided some really fascinating insights to how the amps were built.

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You may also use 5V4 types or 5R4 types if they fit physically. Inexpensive Russian 5Y3GTs are readily available and suitable. Second tube- 12AX7 specified.

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This is the vibrato tube. Power tube is 6V6. A low-noise, low- microphony 12AX7 or is recommended. Second tube is a 12AX7. This is the phase inverter and vibrato tube. This tube need not be low-noise or low-hum, nor does it need to be tested for microphony.

It must have good quality heater insulation. We understand that some technicians recommend Ei or Preferred Series for this duty. Power tubes are a pair of 6V6. Recommend using matched pair of glass 6V6GTs. This tube should be of good quality. Do not attempt to use 5Y3, 5V4 or 5U4 types. Second tube is the reverb driver. This tube does not need to be low in noise, however it should have good quality cathodes in order to handle the load.

This tube tends to wear out faster than the other preamp tubes. Third tube is the driver and reverb recovery amplifier. Suggest a 12AX7 with high gain and reasonable quality, though very low noise or hum is not required.

Fourth tube is a 12AX7. Rectifier tube is 5U4.

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Any 5U4 type is acceptable. Inexpensive Russian 5U4Gs are readily available and suitable. Princeton 6G2 First tube is preamp, is specified. A low-noise, low-microphony 12AX7 or is recommended. Harvard model 6G10 First tube is preamp, 6AT6 is specified. Only NOS is available. Do not use other types.

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This is the phase inverter tube. Second tube is the driver and tremolo modulator. Third tube is the tremolo. Any 12AX7 or is usable here-it need not be low-noise or low-hum, nor does it need to be tested for microphony.

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Fourth tube is a 12AT7. Second tube is the driver and vibrato tremolo modulator. Third tube is the reverb driver. Fourth tube is the driver and reverb recovery amplifier. Suggest a 12AX7 with high gain and reasonable quality, though very low noise or hum might not be required.

Fifth tube is the vibrato tremolo oscillator. Sixth tube is a 12AT7. Do not attempt to use 5Y3 or 5V4. The AB version uses a 5U4 type. Deluxe 6G3 First tube is preamp, is specified. This is the tremolo vibrato oscillator and driver. Any 12AX7 or is usable here- -it need not be low-noise or low-hum, nor does it need to be tested for microphony. Third tube is a 12AX7.

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A low- noise, low-microphony 12AX7 or is recommended. Second tube is second channel preamp, is specified. Third tube is the driver and vibrato oscillator. Fourth tube is 12AT7.

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Power tubes are a pair of 6L6GC. NOS metal 6L6s run too hot. Fourth tube is the phase inverter. Suggest a 12AX7 of reasonable quality and with good heater insulation, though very low noise or hum is not required. This version is rare. Current JJ EL84s are suitable. Bandmaster AA, AB - Tube Package These models are identical to the Vibroluxes of the same model number aboveexcept the Bandmaster uses solid-state rectifiers rather than tube rectifiers.

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Solid-state rectifiers do not wear out as tubes do, nor can they be replaced by the user. Second tube is a driver stage for both channels of preamp, specified. Third tube is the Normal channel preamp. This tube need not be low- noise or low-hum, nor does it need to be tested for microphony. Recommend using matched pair of 6L6GCs or s. This model uses solid-state rectifiers rather than tube rectifiers.

Bassman 6G6 First tube is bass channel preamp, is specified. Third tube is the bass channel driver. Power tubes are a pair of 6L6GC s originally suggested. Bassman 6G6A, 6G6B These models are identical to the Bassman 6G6, except they models use solid-state rectifiers rather than tube rectifiers. The solid- state diodes used in older Fender amps are rather primitive compared to modern devices-if you wish slightly better performance, suggest speaking to a service technician about replacing the diodes with modern fast-recovery epitaxial FRED diodes.

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The solid-state diodes used in older Fender amps are rather primitive compared to modern devices-if you wish slightly better performance, suggest speaking to a service technician about replacing the diodes with modern fast -recovery epitaxial FRED diodes.

Third tube is the vibrato oscillator. Fourth tube is the driver. Fifth tube is the phase inverter. Super 6G4 First tube is first channel preamp, is specified. Super 6G4A First tube is first channel preamp, is specified. Fourth tube is the driver and vibrato modulator. Fifth tube is the pre-driver.

Deluxe Reverb AA, AB (blackface) A to A - A to A - A to A - A to A - A to A - Deluxe Reverb AB, AB (silverface) A to A - A to A - A to A

Sixth tube is the phase inverter. This is the phase inverter. Twin 6G8; Showman 6G14 First tube is first channel preamp, is specified. Second tube is vibrato channel preamp, is specified. Power tubes are a quad of 6L6GC.

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Power tubes are four 6L6GCs. Vibroverb 6G16 First tube is preamp, is specified.

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Second tube is preamp, is specified. Sixth tube is the phase inverter and vibrato tube. Power tubes are a pair of 6L6GCs. Matched pair recommended. Bandmaster 6G7, Concert 6G12 V specified.

This is the channel 1 preamp. If less gain is required, an NOS is suggested. V specified. This is the channel 2 preamp. This is the driver stage and gain makeup stage.

EIA numbers taken from the transformers may help you to determine the date of production on amps that fall between the different dating schemes. These numbers always begin with "", and are followed by three or four digits in various combinations.

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If three digits are present, the first digit would refer to the year i. If four digits are present, the first two digits refer to the year i. The last two digits would refer to the week of the year i.

Sep 25,   For sale is an exceptionally clean all original fender deluxe reverb from This amplifier sounds incredible and is bone stock. transformers, speaker, date correctly and the best part is the sound. lush reverb with that amazing fender clean /5(14). The "Silverface" Fender Deluxe Reverb amps from - represent an awesome value in vintage combos, with classic-sounding reverb and tremolo and enough power for small- to medium-sized clubs. While Silverface amps get a lot of undeserved flack for not having "the tone" of the pre-CBS amps (see: Bassman), the Silverface Deluxe Reverbs seem. Deluxe Reverb AB, AB (silverface) A to A - A to A - A to A - DATING FENDER TRANSFORMERS, SPEAKERS & POTENTIOMETERS USING EIA CODES Deluxe Reverb models AA, AB, and AB - Tube Package.

An example would be: EIA would mean the 21st week of All Fender amplifiers, manufactured after include a date code on the amplifier.

This code is located on the "QA" Quality Assurance sticker, which may be found on the back of the amp chassis. The sticker is a Black and Silver label, which contains several lines for "sign-offs" at the completion of sound and electrical tests, where applicable. The last line will have 2 letters of the alphabet either printed or written by hand.

For example, if your silverface super reverb has transformer codes all from , it was made in ! Let's say the weeks are 27, 29, 33, Based on the last number (45), it's safe to say it was made in late Many silverface and some blackface amps have . Sep 15,   Check the faceplate. Of the amplifiers labeled "Twin Reverb" (opposed to Super Twin Reverb or Twin Reverb II), there are two eras. Amps from the blackface era, which have a black faceplate, were manufactured from to Amps from the silverface era, which have a silver faceplate, were manufactured from to Deluxe Reverb AA, AB (blackface) A to A - A to A - A to A - A to A - A to A - Deluxe Reverb AB, AB (silverface) A to A - A to A - A to A - A to A - A to A -

Good luck reading some of the hand written ones. These letters are the production date code for the amplifier. The first letter refers to the year, and the second letter refers to the month of manufacture. You will need to get the date codes from the speaker frames, the potentiometer date codes, the transformer codes and as much other detailed information you can about the specs and features of your amp.

Our Buyer's guide to vintage Fender amps explains in detail how you can date your amp by looking at serial numbers, tube charts, transformer codes, speaker codes, Fender logo, etc. Lots of different speakers were used in the blackface and silverface era Fender amps. In a BF Vibrolux Reverbs you could have either Jensen, CTS or Oxford, the BF Super Reverbs had Jensen, CTS, Oxford or. Deluxe Reverb AA, AB (blackface) A to A - A to A - A to A - A to A - A to A - Deluxe Reverb AB, AB (silverface) A to A - A to A - A to A - A to A - A to A - I have a 71 silverface deluxe reverb with a 6L6 tube chart + tubes. Cannot find any info on this as most 6L6 DR I have seen are modified. The tube chart is original any info would be appreciated. thx. Reply.

If you have a serious interest in learning about the history of Fender amplifiers, or if you just want to try to establish the year of production of your own amp, I recommend that you pick up the following book. Fender used speakers manufactured by the following companies:. Jensen supplied all Fender speakers until approximately Since Fender used speakers from all the above companies.

This information is not for commercial use, and cannot be copied, posted, pasted or otherwise used in any publication or web site. Early Fender Electric Blackface amps from and some into early did not have a Fender Logo on the grillcloth.

A good amp tech can make these sound great.

The Fender Deluxe: A Short History, or From Woodie to Silverface and Everything in Between

InFender removed the "Tail" from the logo. A push-pull pot was added to some amps in Therefore, if you have a push-pull pot, your amp is or newer. Years Made. Tubes Required. Bandmaster Head. Bandmaster Reverb. Bassman Head.

Bassman "59 Reissue. Bassman Ten. Blues Deluxe.

Dating silverface deluxe reverb

Blues Deville. Blues Junior. Vibro Champ.



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